Méthode d'induction d'hallucinations
contrôlées(controlled induction of
hallucinations)
As I said in "How to learn conscious
dreaming", learning how to induce controlled hallucinations by
focussing your attention on informational objects in darkness is a powerful
tool in learning how to enter voluntarily
into a state of conscious dreaming.
Specific hallucinations are difficult to
generate as this means that you learn to specifically activate,
metabolically, a memory area where the
informational object you want to retrieve is stored in an inactive
form (due to low metabolism). Unspecific hallucinations are
easier to generate because the natural tendency of consciousness
and thought is to evolve through MHV (motifs homologiquement variants, or
homologous patterns). Generating a specific
hallucination (or, more precisely, a disattenuation) requires voluntarily maintaining the
metabolism of a memory zone where you want to retrieve something
(say the image of a rose) to a level where your thought does not
radiate through MHVs.
Focussing your attention on darkness
The easiest way to start is to sit quietly in darkness for an hour
or two and exercise yourself. What you need first is to observe this darkness and analyse it:
- What do you see in this darkness?
- Is darkness "flat" or three
dimensional?
In the beginning darkness will appear to be flat, with no depth. You will see ever-changing
phospenes. Now if you try to concentrate your visual attention on an informational object, such as a rose, you will notice that it is
difficult for you to pinpoint "where" this rose is. The
attenuated image of the rose does not appear instantly in front of
your eyes! Even children can notice this phenomenon very clearly.
The rose seems, at first, somewhere else like, "behind your head" for instance. With more work
(children under 8 can do this very easily as compared to "adults"!)
you will succeed in "moving" your rose from "behind your head" to
"in front of you". This rose will look like
a faint transparent object in darkness. You
can just about distinguish its contour as a
difference of contrast in darkness:
darkness starts to be less dark! What you can notice, also, is that
you cannot properly focus your attention on this rose for more than
a fraction of a second, as the rose will disappear to be replaced
by something with a similar pattern, because of "MHV jumps". At that time you will start to notice
that darkness becomes three-dimensional
instead of flat.
Reiterated disattenuated images
When you learn to focus your attention onto darkness you will reach
a pre-hallucinogenic step which is the step
of reiterated images. Such reiterated images can
also be observed under hallucinogens (or "disattenuating molecules").
Reiteration seems to always precede the generation of complex images
by the brain. Reiterations express somethingfundamental about the workings of the CNS
and how it works in order to synthesise complex three-dimensional
images. My examination of this phenomenon leads me to think that
the famous Dutch artist Escher had pre-hallucinations of this sort
and that he drew them as art.
Reiterated images are always in rotation
This can be observed either with this method or under the influence
of disattenuating molecules, such as psilocine, LSD, etc. The rotation of the reiterated image is slow, perhaps about 5 seconds per
gyration. Whilerotating, these
images can change into other reiterated rotating
images. This is very
beautiful to observe as now you can also start to
seefaint colours in these splendid and
intricate images.
Synthesis of complex three-dimensional images
This step comes after the step of the reiterative
images. When you start to see such images they are at first
evanescent. Focussing your attention on them makes them more clear.
Things now start to acquire beautiful hues.
These colours tend to change if you do nothing to keep them. This
tendency is the same for those images you can see. They change
through MHVs, i.e. by following a rule of pattern modification.
Focussing your attention on known or unknown things
gives different results!
Here is something interesting: if you focus your attention on, say,
the face of a person you know, it will be relatively easy to keep a
static image of this face in front of your
"eyes". However, if you focus your attention on an unknown face,
you will notice that it constantly changes
into other faces,through incessant MHVs jumps !
Inducing rotation of an informational object
Something which I and some children have noticed (without any
interference) is that if you want to to set a visual image in
rotation, you cannot change its speed of rotation
continuously. Rotation always
jumps in a quantum manner from one observed "speed" to
another. The children of some friends of mine first noticed
this phenomenon by themselves in Tahiti
(French Polynesia) in 1985, when I asked them just to observe
darkness!
The most important thing in order to achieve conscious (="lucid") dream is to learn, like in
meditation, how tofocus your
attention on informational objects
(imaginary hallucinatory-like visual images, for instance) or on
after-images.
You can do this 3 different ways:
- Focussing your attention directly on informational objects with your eyes closed.
- Focussing your attention first on an external object, like the
flame of a candle, then closing your eyes and focussing on the
external object's after-image.
-
For instance, you can focus your attention on the light of a
candle for about 1 or 2 minutes, then close your eyes and try to
keep the after-image of the candlelight as long as possible into
your consciousness. While doing this concentrate
and observe the regular variations of colours of this image
until its extinction. Write the sequence of colour variation.
- Using a flashlight to produce an
observable after-image.
-
This method is faster than the exercise with a candle. Take a
black and white photograph, for instance, or your hands. Put these
objects at a distance of about 30cm from
your eyes. Illuminate them with a strong and brief impulse of a
flashlight.Then observe.
You will see rapidly a very clear after-image of your
photograph, etc. Focus your attention on it. Examine the variations
in colours with time and write them down. Try to "move" your imaginary gaze on the photograph without moving your real eyes.
Repeat these exercises, in a dark room, whenever you have time.
Slowly you will notice that your dream recalls become more vivid
and informative.
Good luck in your quest for conscious dreams!
Claude
Rifat